About Maison Sage

Made slowly.
Made to last.

We started Maison Sage because most home goods felt disposable. We wanted objects with weight, intention, and a story you could see in the glaze.

Why we built Maison Sage.

In 2020, Claire Moreau left a production ceramics studio to start something smaller. Her premise was simple: every object should be worth repairing. She began throwing vessels in a rented kiln space in Lyon, developing glaze recipes from local ash and iron oxide. The collection sold out in three days.

Today Maison Sage is a team of three — a ceramicist, a textile specialist, and a woodworker — producing in small batches from a shared studio. We ship worldwide, but we still pack every order by hand. The things you surround yourself with should feel chosen, not convenient.

ceramicist trimming the foot of a stoneware vessel on a banding wheel in a natural-light studio

The team

portrait of ceramicist in clay-dusted apron at her studio wheel

Claire Moreau

Founder & Lead Ceramicist

Trained at the École Nationale Supérieure des Arts. Claire develops every glaze recipe and throws the signature vessel line. Her philosophy: if it isn't beautiful when it breaks, it was never beautiful to begin with.

portrait of textile designer holding a folded natural linen cloth in a bright studio

Jonas Ahlberg

Textile Designer

Jonas coordinates our linen program with three heritage mills in Belgium and Lithuania. He tests every weight and weave himself, and is notoriously difficult to satisfy on hand-feel.

portrait of woodworker at his bench with hand planes and ash timber

Tomás Vidal

Wood & Objects Artisan

Twelve years in bespoke furniture before joining Maison Sage. Tomás handles all carved wood objects and brings cabinet-maker precision to every board and tray.

portrait of studio manager packing an order with tissue and twine on a pale oak table

Nadia Osei

Studio & Fulfilment Manager

Nadia ensures every order leaves the studio packed correctly, on time, and feeling like a gift. She also curates the seasonal collection drops and manages wholesale enquiries.

How we work

Small-batch only

We fire in batches of 20–40 pieces. This means longer wait times, but it means every piece leaves the kiln with attention it deserves.

Natural materials only

No synthetic fibres, no petroleum-based glazes. Every material is traceable to its source, and we publish those sources on request.

Built to be repaired

We offer a kintsugi repair service for broken ceramics. An object with a crack repaired in gold is more honest than one that was never tested.

Seasonal drops

Four collections per year, each shaped by a material or landscape. No permanent catalogue — what's available is what we made this season.

Find something for your home.

Browse the current collection — ceramics, textiles, and wood objects made in small batches and shipped worldwide.

Shop collection